Seasaw, Canceled Plans, Young Ritual Local Show at Mac’s Bar

If you’re having summer concert withdrawals and are looking for the perfect fall show, look no further! As soon as I heard the news that Seasaw, Canceled Plans (solo set), and Young Ritual would hit the stage at Mac’s Bar in Lansing on October 3rd I’ve been buzzing with excitement! I spoke with Michaela Stock of Canceled Plans and Dylan Grantham of Young Ritual to get the scoop on the upcoming show.

Both Stock and Grantham are excited about the gig and are eager to share the stage with some new faces. “I’ve never shared the stage with seasaw or Young Ritual, but I couldn’t be more excited. I’ve been gigging since April of 2017, and I’ve never gotten to share the stage with another girl who runs the show. I’m a big fan of seasaw and their work, so it’s an honor to have this first and this show alongside two talented and beautiful women.” Stock writes. It’s remarkable to see such genuine support for other female artists in a male-driven industry. One of the things I love most about supporting my local music scene is seeing the interactions and friendships forming between artists that share the stage whether it’s for a single gig or for a tour.

IMG_3108Not only are Stock and Grantham ready to play with some new faces, but they are also thrilled to get back to Mac’s Bar. For Grantham, this is his first time in performing in Michigan’s capital. “This will actually be my first show in Lansing, so I can’t wait for that part. I definitely have some tricks up my sleeve to make a good first impression.” I’m eager to see what kind of tricks he has to make this show a memorable one. Grantham has been working on finishing up his first EP, and released the first single “Prime” last month! He’ll definitely be playing some new music at the upcoming show along with old favorites.

Stock, on the other hand, is a Lansing native and she’s pumped to get back to her hometown and play at one of her favorite venues. “The last time I played at Mac’s was in September of 2017. It was my first full-band show, and I was opening for Michigander, a band I had followed as a fan since high school. That was for sure a night I’ll never forget. Every time I walk through the doors at Mac’s I’m hit with gratitude and nostalgia for the space. I have so much more to say, but I’m going to leave some stories for the show!” I’ve never seen

IMG_7791While remembering Mac’s Bar and what the venue means to her, Michaela lights up and goes into every detail of the venue and how much she loves it. “I spent the latter half of my teenage years studying the scribbled walls in Mac’s Bar at shows. It was my first “dream venue” to play a show in because I had some of my first experiences with live music in that space. I even met my best friend at Mac’s at a concert. We screamed all the words to the headlining band’s set, and it’s been history ever since. Mac’s Bar did, in fact, end up being the first place I’d ever played a billed gig with tickets, a sound-check, and other artists back in April of 2017. I remember wearing a black dress, carrying my guitar case and pushing open the big wooden door thinking, “What the HECK has my life come to?” (For the record, I’m still figuring that question out.) It was so special.”

Do not sleep on this concert! Each of the acts has a different energy to bring to the stage and it’s sure to be a good night. Get tickets to the show here!

-Swaggie Maggie

Hit Reset – The Julie Ruin

In 2016, American garage-rock band The Julie Ruin released their second album, Hit Reset. This hidden gem is reminiscent of lead singer, Kathleen Hanna’s days in Bikini Kill and the Riot-grrrl movement, while staying on point with the cultural, social, and political aspects of life in 2016 to 2018. After releasing a solo album under the alias of Julie Ruin in 1998, Hanna decided to make the band a full time project. In 2010, The Julie Ruin was formed in New York City by Hanna, Carmine Covelli, Sara Landeau, Kathi Wilcox, and Kenny Mellman.

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Hit Reset was received well by music sources and critics, and received an 8.2 out of 10 in a Pitchfork review, making it clear that the record is definitely worth listening to. Since the music falls into the punk-sphere, the album is not commercially known due to the popularity and demand for pop and rap music. I had never heard of Hit Reset or The Julie Ruin until just a few weeks ago, and I consider myself musically diverse, especially in the rock world. After listening to the album on repeat for a few weeks, I’m positive that everyone in The United States needs to hear it. They need to hear Hanna screaming, and feel her pain, and realize her triumphs with her.

I believe that music is powerful, in any capacity. That’s why it makes me upset when pop music on the radio is mindless and inappropriate. Musicians have a huge platform and they should use it to promote positive messages, and stories about their lives that people can relate to and learn from. Hanna uses Hit Reset to tell her story, and I think that people would gain a sense of empathy towards people by hearing this record. By traveling through Hanna’s journey, listeners are able to share her experiences with her, and feel for her. In a review from Pitchfork, the album is described as “The chance to tip her experiences onto a sterile surface and assess each memory’s impact before dropkicking it into oblivion; the kind of process that’s often only possible when you’ve looked death in the face. It’s Hanna’s most personal work” (Snapes). Hanna proves her power and “she triumphs at every decibel” (Powers).

Hanna has Lyme disease and has been battling it for years. It has forced her to take time off from making music, but she has never backed down from a fight. A review from NPR Music describes Hanna as “both the dissembled survivor and the furious avenger” (Powers). In 2013, a documentary titled “The Punk Singer” was released about her life, and that experience rings through Hit Reset. When I first listened to the album, I was a little conflicted. I was immediately reminded of sounds from the 90’s, and of my best friend. My best friend from home has a voice kind of similar to Hanna’s, being that it isn’t perfect or pristine. It’s not technically good, but it’s interesting and passionate. There were songs that I didn’t like at all, such as “Be Nice”, because I couldn’t understand the lyrics through Hanna’s frenzied screams. I’ll be honest, I got a little bit of anxiety as I listened to the album for the first time. That doesn’t mean I didn’t like it, but the music was definitely anxiety inducing.

I’d listen to this album when I’m pissed off. Maybe I’d be in my room or driving home from work, but this is the kind of music you listen to when you’re so angry but you may not know how to express the anger in a constructive way. This makes me want to scream at the top of my lungs, kick things and cry until I calm down. I think that it’s important to feel those emotions every once in a while. Emotions make people human.

While we have learned in class that the Riot-grrrl movement was not perfect, I think it was a great place to start in terms of getting everybody to notice women, see them as legitimate human beings, and understand that every woman is equal to every man. The Riot-grrrl movement only encompassed straight, white, middle class, women, and the documentary is pretty reflective of that. It seems as though most of the women interviewed and showed in the film are white and supposedly middle class (They all met in college, so they could afford a college education). Women of color, transgender women and men, and members of the LGBTQ+ community also needed a voice, as well as members of lower classes. It is unfortunate that so many people were not included in the Riot-grrrl movement, but it is understandable that the very first step in a movement is not perfect. There is no possible way for something to be perfect upon conception, but the important thing is that a first step was taken.

Hit Reset is reminiscent of 90’s punk, and combines techno-rock influences with classic punk attributes such as fuzzy guitar riffs, strained vocals, and manic rhythms. At first listen, tracks can be split up into two categories. The first kind of song you’ll hear on the album is wild, all over the place, and frenzy-inducing. These songs mimic classic punk and bring about a manic style. The second type of songs are almost monotone sound, following one rhythm, have repetitive lyrics, and could be classified as punk ballads. After listening to the album a few more times, it is obvious that each song follows a similar style that is unique to The Julie Ruin. The “New-wave romp didn’t lack energy, some of Hanna’s lyrics were unusually tentative” (Snapes). The album is cohesive, and follows Hanna’s experiences and thoughts as a female artist.

There are a few running themes that are apparent and maintained throughout the album, and tell a story. Love, being feminine, feminism, and identifying as a dreamer, can be found woven throughout the lyrics of each song. While Hit Reset cannot necessarily be considered a rock-opera like The Beatles’ Sgt. Peppers or The Who’s Tommy, it definitely follows a theme and tells stories. The lyrics all seem autobiographical and personal, even in the songs where many of the lyrics could not be understood. They still felt unique and distinctive, because  “Hanna faces down the abuse she’s suffered in her own life” (Powers). Half of the songs, such as  on the album sound manic, and anxiety inducing. The lyrics are screamed with a high-pitched-frenzy and the instruments are all over the place, creating a craziness. The other half of the songs, such as “I Decide” and “Time is Up” sound almost monotone and flat, but not boring by any means. They seem so much calmer than the other songs on the album. Both of these styles work together to create a unique record.

A song that immediately stood out to me on the album was “Rather Not. It sounded so familiar, and I could have sworn that I’d heard it before.I think that my subconscious knew it was a song I personally needed to hear. The low, catchy bass and guitar riffs that are continued throughout the song are reminiscent of Pixies’s “Here Comes Your Man, and they compliment Hanna’s unique vocals perfectly. Hanna’s voice is one-of-a-kind. She’s no opera singer, but in her context and situation, there is no other way these songs could sound and still have the incredible weight that they possess. With lyrics that are pointed and deliberate, “Rather Not follows a disastrous relationship that has ended. Although there is significant history, Hanna sings about throwing all of that history away for the sake of moving on and feeling comfortable and alive again. She sings “If you love me I’d rather not know” over and over throughout the song, which resonates with anyone who has fallen out of love and the relationship keeps coming back to haunt them.

Another interesting song is “Mr. So and So”. It starts with a catchy guitar riff and then Hanna comes in with a monologue. The lyrics up until the chorus are spoken as a speech, detailing an awkward and inappropriate encounter she had with a male fan. When the chorus starts, the lyrics echo “You can’t say goodbye until I get my hello. Mr. So and So. It’s all just for show.” It’s heartbreaking and makes me angry to hear about the uncomfortable things male fans have said to her.  “Mr. So and So” is “an anti-ode to an entitled male fan” (Powers) that allows listeners to feel the same disgust that Hanna does.

 

Works Cited

Powers, Ann. “Review: The Julie Ruin, ‘Hit Reset.'” NPR Music, NPR, http://www.npr.org/2016/06/30/480605934/first-listen-the-julie-ruin-hit-reset. Accessed 2 Mar. 2018.

Snapes, Laura. “The Julie Ruin Hit Reset.” Pitchfork, Conde Nast, 16 July 2016, pitchfork.com/reviews/albums/22073-hit-reset/. Accessed 2 Mar. 2018.

-Swaggie Maggie

How MSU Students are Challenging the University’s Culture of Silence — BLOGGing March 2018 (co-written with Emily Orlando)

In 1997, Larissa Boyce told Kathie Klages, who was then MSU’s head gymnastics coach and the head of the MSU junior gymnastics program that Boyce was a member of, that an MSU physician named Larry Nassar had touched her inappropriately during medical treatment. At 16 years old, Boyce put her trust in Klages, a woman Boyce referred to during her victim impact statement on Jan. 19 as someone she “looked up to. She was the person I thought had my back.” Instead of protecting Boyce, Klages discouraged her from filing a formal complaint, convincing her that the medical treatment was legitimate and that she had just misunderstood Nassar’s actions.

Though Boyce was the first woman to report Nassar, she was far from the last. This much was made evident during Nassar’s Ingham County sentencing hearing, which took place Jan. 16-Jan. 24 of this year. At that hearing, 156 women and girls came forward detailing stories eerily similar to Boyce’s: they were assaulted, and then they were silenced. Women on MSU’s campus, women involved in gymnastics and other sports on campus, and women coming to MSU for medical help were repeatedly let down by those in positions to help them. And it wasn’t just Klages. A Detroit News report outlines as many as 14 people who, over the past 20 years, were notified of Nassar’s abuse — and did nothing. The inaction of athletic trainers, coaches, a university police detective and others will forever affect MSU. But for the time being, the students won’t let it define their university.

The New York Daily News stated that “the students are the only ones acting like adults in response to the Larry Nassar scandal,” and we find that to be true to this day. On Jan. 26, students rallied at the rock to show support for the victims of Nassar. After students, professors, and athletes spoke, the crowd marched, homemade signs in hand, to the Hannah Administration Building, chanting “silence is compliance.” Later that same night, on a different part of campus, hundreds of students gathered at the Breslin Center to watch the Spartans take on the Wisconsin Badgers. Student leaders provided teal t-shirts to every member of the Izzone and passed them out as students walked into the stadium. The entire student section was participating in the #IzzoneTealOut to show their support for the survivors. The State News, The Detroit News and even CBS News wrote articles detailing these two events and commending the students for rallying together to show that this is important to us. Our University, however, hasn’t said a word about students coming together in this way. The announcer at the Spartans vs. Badgers game didn’t even acknowledge it.

What more will it take? The students want to talk about this. The students want the survivors to find peace and justice. The students want to make sure that this never happens on our campus again. If our administration won’t even comment on our efforts, what will it take for them to recognize that the students see a problem and actively want to fix it?

 

Maggie Morgan is a junior majoring in Professional Writing with a concentration in Creative Writing. Hobbies include: spending all of her money on concert tickets, trying to convince Green Day to let her be their friend, geeking out about music history, dreaming of writing for Rolling Stone. You can follow her on instagram at @swaggie_.maggie.

 

Emily Orlando is a podcast lover, a Food Network connoisseur and a senior majoring in professional writing with a focus in editing and publishing—in that order.