Tag: Music

Hit Reset – The Julie Ruin

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In 2016, American garage-rock band The Julie Ruin released their second album, Hit Reset. This hidden gem is reminiscent of lead singer, Kathleen Hanna’s days in Bikini Kill and the Riot-grrrl movement, while staying on point with the cultural, social, and political aspects of life in 2016 to 2018. After releasing a solo album under the alias of Julie Ruin in 1998, Hanna decided to make the band a full time project. In 2010, The Julie Ruin was formed in New York City by Hanna, Carmine Covelli, Sara Landeau, Kathi Wilcox, and Kenny Mellman.

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Hit Reset was received well by music sources and critics, and received an 8.2 out of 10 in a Pitchfork review, making it clear that the record is definitely worth listening to. Since the music falls into the punk-sphere, the album is not commercially known due to the popularity and demand for pop and rap music. I had never heard of Hit Reset or The Julie Ruin until just a few weeks ago, and I consider myself musically diverse, especially in the rock world. After listening to the album on repeat for a few weeks, I’m positive that everyone in The United States needs to hear it. They need to hear Hanna screaming, and feel her pain, and realize her triumphs with her.

I believe that music is powerful, in any capacity. That’s why it makes me upset when pop music on the radio is mindless and inappropriate. Musicians have a huge platform and they should use it to promote positive messages, and stories about their lives that people can relate to and learn from. Hanna uses Hit Reset to tell her story, and I think that people would gain a sense of empathy towards people by hearing this record. By traveling through Hanna’s journey, listeners are able to share her experiences with her, and feel for her. In a review from Pitchfork, the album is described as “The chance to tip her experiences onto a sterile surface and assess each memory’s impact before dropkicking it into oblivion; the kind of process that’s often only possible when you’ve looked death in the face. It’s Hanna’s most personal work” (Snapes). Hanna proves her power and “she triumphs at every decibel” (Powers).

Hanna has Lyme disease and has been battling it for years. It has forced her to take time off from making music, but she has never backed down from a fight. A review from NPR Music describes Hanna as “both the dissembled survivor and the furious avenger” (Powers). In 2013, a documentary titled “The Punk Singer” was released about her life, and that experience rings through Hit Reset. When I first listened to the album, I was a little conflicted. I was immediately reminded of sounds from the 90’s, and of my best friend. My best friend from home has a voice kind of similar to Hanna’s, being that it isn’t perfect or pristine. It’s not technically good, but it’s interesting and passionate. There were songs that I didn’t like at all, such as “Be Nice”, because I couldn’t understand the lyrics through Hanna’s frenzied screams. I’ll be honest, I got a little bit of anxiety as I listened to the album for the first time. That doesn’t mean I didn’t like it, but the music was definitely anxiety inducing.

I’d listen to this album when I’m pissed off. Maybe I’d be in my room or driving home from work, but this is the kind of music you listen to when you’re so angry but you may not know how to express the anger in a constructive way. This makes me want to scream at the top of my lungs, kick things and cry until I calm down. I think that it’s important to feel those emotions every once in a while. Emotions make people human.

While we have learned in class that the Riot-grrrl movement was not perfect, I think it was a great place to start in terms of getting everybody to notice women, see them as legitimate human beings, and understand that every woman is equal to every man. The Riot-grrrl movement only encompassed straight, white, middle class, women, and the documentary is pretty reflective of that. It seems as though most of the women interviewed and showed in the film are white and supposedly middle class (They all met in college, so they could afford a college education). Women of color, transgender women and men, and members of the LGBTQ+ community also needed a voice, as well as members of lower classes. It is unfortunate that so many people were not included in the Riot-grrrl movement, but it is understandable that the very first step in a movement is not perfect. There is no possible way for something to be perfect upon conception, but the important thing is that a first step was taken.

Hit Reset is reminiscent of 90’s punk, and combines techno-rock influences with classic punk attributes such as fuzzy guitar riffs, strained vocals, and manic rhythms. At first listen, tracks can be split up into two categories. The first kind of song you’ll hear on the album is wild, all over the place, and frenzy-inducing. These songs mimic classic punk and bring about a manic style. The second type of songs are almost monotone sound, following one rhythm, have repetitive lyrics, and could be classified as punk ballads. After listening to the album a few more times, it is obvious that each song follows a similar style that is unique to The Julie Ruin. The “New-wave romp didn’t lack energy, some of Hanna’s lyrics were unusually tentative” (Snapes). The album is cohesive, and follows Hanna’s experiences and thoughts as a female artist.

There are a few running themes that are apparent and maintained throughout the album, and tell a story. Love, being feminine, feminism, and identifying as a dreamer, can be found woven throughout the lyrics of each song. While Hit Reset cannot necessarily be considered a rock-opera like The Beatles’ Sgt. Peppers or The Who’s Tommy, it definitely follows a theme and tells stories. The lyrics all seem autobiographical and personal, even in the songs where many of the lyrics could not be understood. They still felt unique and distinctive, because  “Hanna faces down the abuse she’s suffered in her own life” (Powers). Half of the songs, such as  on the album sound manic, and anxiety inducing. The lyrics are screamed with a high-pitched-frenzy and the instruments are all over the place, creating a craziness. The other half of the songs, such as “I Decide” and “Time is Up” sound almost monotone and flat, but not boring by any means. They seem so much calmer than the other songs on the album. Both of these styles work together to create a unique record.

A song that immediately stood out to me on the album was “Rather Not”. It sounded so familiar, and I could have sworn that I’d heard it before.I think that my subconscious knew it was a song I personally needed to hear. The low, catchy bass and guitar riffs that are continued throughout the song are reminiscent of Pixies’s “Here Comes Your Man”, and they compliment Hanna’s unique vocals perfectly. Hanna’s voice is one-of-a-kind. She’s no opera singer, but in her context and situation, there is no other way these songs could sound and still have the incredible weight that they possess. With lyrics that are pointed and deliberate, “Rather Not” follows a disastrous relationship that has ended. Although there is significant history, Hanna sings about throwing all of that history away for the sake of moving on and feeling comfortable and alive again. She sings “If you love me I’d rather not know” over and over throughout the song, which resonates with anyone who has fallen out of love and the relationship keeps coming back to haunt them.

Another interesting song is “Mr. So and So”. It starts with a catchy guitar riff and then Hanna comes in with a monologue. The lyrics up until the chorus are spoken as a speech, detailing an awkward and inappropriate encounter she had with a male fan. When the chorus starts, the lyrics echo “You can’t say goodbye until I get my hello. Mr. So and So. It’s all just for show.” It’s heartbreaking and makes me angry to hear about the uncomfortable things male fans have said to her.  “Mr. So and So” is “an anti-ode to an entitled male fan” (Powers) that allows listeners to feel the same disgust that Hanna does.

 

Works Cited

Powers, Ann. “Review: The Julie Ruin, ‘Hit Reset.'” NPR Music, NPR, http://www.npr.org/2016/06/30/480605934/first-listen-the-julie-ruin-hit-reset. Accessed 2 Mar. 2018.

Snapes, Laura. “The Julie Ruin Hit Reset.” Pitchfork, Conde Nast, 16 July 2016, pitchfork.com/reviews/albums/22073-hit-reset/. Accessed 2 Mar. 2018.

-Swaggie Maggie

Seeing Artists More Than Once

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Something that has been on my mind a lot lately is why we see artists and bands more than once. As a working college student, I’m always trying to save money. This can be difficult when there are so many concerts I want to make it to. The price of concerts tickets adds up, even when they are held at smaller venues that don’t cost as much per ticket as concerts held in stadiums would. However, as hard as I try to save money, if one of my favorite bands is coming to town I’ll go see them, no matter how many times I’ve seen them before.

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Recently, I bought tickets to see All Time Low with a few of my friends. The concert is being provided by the residential services of my college, so the tickets were relatively inexpensive, and I was able to get great seats! After purchasing the tickets, I started thinking about why we want to see bands or artists more than once. Take All Time Low for example. I have seen them once before, but that was back in 2015 before the release of their latest album. Often times we see bands more than once because we want to experience their new music live.

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There are some bands that I’ve seen more times than I can remember off the top of my head. I’ve seen both Mayday Parade and Sleeping With Sirens 6 times each, and in multiple settings. I’ve seen them at festivals, at headlining tours, and in intimate venues. A few times, I saw the bands when they hadn’t released any new music. The setlist sounded similar to the one at the previous show, but I still had the time of my life!

My personal philosophy when it comes to buying concert tickets is simple. I ask myself three questions before purchasing. 1. Can you afford it?  2. Will you have fun? And 3. Will you be sad if you don’t go? If I can answer yes to those, I know that buying the ticket will be worth it.

-Swaggie Maggie

 

Melodies of MSU How MSU’s students and faculty embrace music as a community — COVERing March 2018 Print

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MSU’s College of Music is a hidden gem on campus. It’s listed in Niche’s top 50 music schools in America and offers many different bachelor’s, master’s and doctoral degree options. It even offers non-degree programs, including a minor in music and a performance diploma. The College of Music however offers far more than just degrees — it creates a unique community on campus by offering inclusive sessions and workshops called Listening and Healing that are enjoyed by students who are involved with the college. These events are the basis for a supportive environment in which students, faculty and staff participate in, to initiate a unanimous responsibility that embraces students’ similarities while celebrating their differences.

Casey Sherwood and Connor Bulka are freshmen who benefit from the community aspect of the College of Music. Sherwood studies vocal performance with dreams of singing for international opera companies and beginning a nonprofit that brings the benefits of learning and performing music to children, who do not have the opportunities in their daily lives to do so. Bulka is studying music performance, and his instrument is a tuba. He plans on either performing in a professional orchestra or becoming a music professor for small groups of students.

The pair are part of a tight-knit community that is created by the College of Music. “It’s two buildings; you’re with the same people all day. You get really close, really fast,” said Sherwood, thinking of how she was instantly able to make friends when she came to campus in the fall. “The voice department all comes together on Thursday afternoons and has recital hours, so you get to see the entire vocal department perform and see what they’ve been working on. You’re there to support each other and aspire to be better together.”

Bulka has found his community by making personal connections with music majors outside of the college, especially in university-required courses. “Since our schedules are so similar, I’ll be going to my Africa Studies class and see someone from my music class, and I can go over and spark up a conversation,” said Bulka.

Sherwood and Bulka are also huge advocates for non-music majors participating in music on campus. “There are choirs here that you don’t need to be a music major to be in. All you have to do is audition!” Sherwood explains. This is a perfect opportunity for students who have a passion for music performance but decided not to study music in college. “Some professors even do individual lessons,” Bulka adds. The College of Music offers countless performances that are free to students and anyone who enjoys watching and listening to live music. “On Fridays, the College of Music puts on concerts in the lobby of Landon Hall,” Sherwood mentions while listing off countless musical events that are free to Spartan students. “Music enhances life in the right ways.”

The College of Music aims to share its community spirit with the rest of MSU by making it easy for students who are not music majors to get involved in all the fun; music is a universal language, and everyone has some sort of experience with music. While music can provide a personal experience, it’s also a factor in creating a fiercely inclusive community. Concerts, open mic nights and karaoke at Crunchy’s all contribute to the community aspect. There are also plenty of courses that non-music majors can enroll in and get their fix of music education.

Professor Joseph Steinhardt, Ph.D., is a perfect example of how music courses can become inclusive and reach even non-music majors. He teaches in the College of Communication Arts and Sciences under the department of advertising and public relations. He may be a professor now, but back in 2003 he started Don Giovanni Records while in college. The record label started while Steinhardt was in a band at Boston University, and he moved the label to New Brunswick after graduation. Don Giovanni typically focuses on bands local to the New York and New Jersey scene and has a formidable reputation for backing female and LGBT artists. Now that Steinhardt is a professor, he shares his wealth of knowledge in the music industry with his students. In his Independent Music Culture and Society course, students from any major can spend a semester learning about the operations of an independent record label by gaining hands-on experience in the manufacturing, distribution, press and marketing functions of a label. The goal of the course is to prepare students who are interested in working in music-related fields for any sort of job they could possibly apply for. Through this course, Steinhardt came up with the idea to create a minor in indie music production.

“The idea of this class is that you don’t have to be a musician or a music major to work in the music industry,” Steinhardt said. “The culture side fosters community and it fosters political change. It has a significant impact on culture. Music can’t just be a product; it’s more important than that.”

While Steinhardt cannot promise that this minor will show up in MSU’s degree navigator any time soon, he is excited to continue to work with the college of Communication Arts and Sciences to make it happen.

The MSU Community Music School is located on Hagadorn road, right across from campus. It was founded in 1993 with the goal of providing everyone in the community with an access to music education. They are inclusive of everyone, regardless of age, ability or income. The music school offers private lessons, group classes and ensembles, summer camps and music therapy. Jamie DeMott, director of the music school, is an MSU alumna who has always had a passion for music. DeMott graduated from MSU in 2003 with a bachelor’s degree in music education and pursued her master’s degree in arts and youth development in 2009. As director, she “oversee[s] all programs, all faculty — basically the operations of the Community Music School as a whole. Every day is different.”

The range of services, sessions and courses that the MSU Community Music School offers to members of the community is expansive. “We offer music education and music therapy from birth through senior adults,” DeMott said. “It truly runs the gamut. We have had students as young as just days old.” One of the most special aspects of the school is the use of music therapy to help children and adults. The courses aim to use “the therapeutic use of music to address anything from closed brain injuries to autism.” The sessions are taught by MSU music students, professional musicians and music educators who each bring unique methods and style to each class. The school also functions as the lab for MSU music students, giving students hands-on experience as music educators.

Music is a force that has the incredible ability to create community and culture. It brings people together every day and serves a critical role in students’ lives at MSU. From music majors and professors to students studying an array of different topics, music is one thing that connects them all.

Maggie Morgan is a junior majoring in Professional Writing with a concentration in Creative Writing. Hobbies include: spending all of her money on concert tickets, trying to convince Green Day to let her be their friend, geeking out about music history, dreaming of writing for Rolling Stone. You can follow her on instagram at @swaggie_.maggie.

Thank You for the Music March is Music in Our Schools Month, and MSU is Full of Music — FEATURing March 2018 Print

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Music affects everyone in diverse ways, but many will confirm that music ultimately changes lives. Being exposed to music brings about countless benefits, and many experts believe that music is a crucial part of education, creativity and expression. In 1985, the National Association for Music Education dedicated a monthlong celebration of music in schools to raise awareness of musical education for all students. Music in Our Schools Month (MIOSM) is celebrated each March and is an opportunity for music teachers to highlight the programs in their academic community that bring the benefit of music to students at any level.

At MSU, music is a part of our daily lives — whether we notice it or not. We walk to class to the tune of the bells in Beaumont tower, we sing “Victory for MSU” and the “Alma Mater” at every sporting event, and we’ve all seen at least one amazing musical at the Wharton Center. While those things may seem obvious, there are many other ways to experience and participate in music at MSU and during MIOSM, even if you aren’t a music major.

The College of Music schedules performances that students are welcome to enjoy. From piano performances and symphony bands to jazz orchestras and wind symphonies, there are more days in the month of March that feature musical events than days that do not. These festivities are completely unique to MSU’s college experience and are free to students with a valid ID. Generous sponsors and lovers of music donate time and funds to make these performances happen, including MSU’s public radio station, WKAR.

WKAR is a public radio station in East Lansing that is owned by the university and has been providing students and faculty with classical music channels since 1948. Along with stations that play classical music, WKAR also provides some of National Public Radio’s popular programs. Fans of folk, jazz and classical music can tune in at any time of the day to catch playlists within their favorite genres. Student radio is an underrated but crucial aspect of ensuring that music is an integrated part of education, by making it accessible to anyone on campus.

Speaking of student radio, MSU’s Impact 89FM has students covered on all things alternative music. Impact is one of the nation’s largest college radio programs with over 300 students who work and volunteer for the station; this collaborative effort is recognized across campus as students are involved with not only FM music and DJing, but also with updating the website’s written articles about music, covering all MSU’s sports teams, managing marketing and conducting professional interviews. Impact also hosts events over the course of the semester that aim to get students involved with music in any context.

One of the most well-known events that Impact sponsors on campus is Open Mic Night with the University Activities Board. Open Mic Night takes place every other Tuesday night and is a favorite of Spartan students. March 13 and March 27 are the next Open Mic Nights, so grab your friends and head to the MSU Union for a night full of music. Students are encouraged to embrace their musical, comedic and creative sides by signing up to sing a couple of songs. There are even regulars who perform; The Three Dollar Bill Crew, a huge crowd pleaser, leave the crowd laughing every time. You don’t need to be the next Beyoncé or Justin Timberlake to perform — you just need to have fun!

Music is an important part of MSU’s social and cultural identity, found in any corner of the university. There are countless opportunities for students to get involved with music whether it’s through working at one of the radio stations, performing at open mic night or attending events scheduled by the College of Music. Since March is Music in Our Schools Month, take advantage of all the music our school has to offer and make the most of this university.

 Maggie Morgan is a junior majoring in Professional Writing with a concentration in Creative Writing. Hobbies include: spending all of her money on concert tickets, trying to convince Green Day to let her be their friend, geeking out about music history, dreaming of writing for Rolling Stone. You can follow her on instagram at @swaggie_.maggie.

Revolutionary Research MSU students explore their passions through research — FEATURing February 2018 Print

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Undergraduate research at MSU has been on the rise lately, and many students are making their college careers meaningful by participating in hands-on, research-based environments. Research is a vital part of learning because it allows students to think critically and analyze various situations. Students from each major are constantly encouraged to think outside the box and question what they do not understand. This promotes research in a way that makes it a learning experience, which allows students to explore multiple passions.

Since MSU is a Big Ten university, it allows students to participate in research programs that receive international recognition and have renowned reputations for producing groundbreaking projects. When people think of research, the first thoughts that come to mind are of science and data. But research exists in every college and every major. The university offers unique opportunities for collaboration between students and faculty that effortlessly combine the academic and creative sides of research.

The best way for MSU students to showcase their research as undergraduate students is to enter their project into the annual University Undergraduate Research and Arts Forum (UURAF). This is MSU’s main showcase for undergraduate research, scholarship and creative work. UURAF allows all the undergraduate students to engage with, participate in and exhibit original work.

First place recipients in the Humanities and Performing Arts section of UURAF, Ryan Duda and Evan Phillips, are theatre majors who created “Farm the Musical: Theatre and Autism.” The musical is a collaboration of efforts from students across all majors at MSU to create an original musical that is specifically geared toward children with Autism Spectrum Disorder (ASD).

“We knew that theatre had significant educational benefits for children with autism, but we wanted to be able to create tangible evidence for ourselves. It is one thing to read about research and to watch videos of interactive musicals being performed for this audience, but it is an entirely different thing to experience all of that for yourself,” Duda said.

The pair was able to conduct their study with a sponsorship from the Michigan State University Department of Theatre. Duda felt that they couldn’t have accomplished their goal without MSU’s generous support. He and Phillips were able to use their sponsorship to take trips to New York City and meet with theatre professionals who are actively working in pursuing the same mission.

“Without our 2016 trip, we might not have received the information or connections we needed to complete this project. UURAF was also beneficial in allowing us to present our research to peers who did not have the same deeply passionate biases that we had,” said Duda. “The feedback we received helped us to better focus our research plan for the following year.”

Alternatively, Clairessa Smith, a junior studying psychology and youth in society, has been participating in SONA all semester. Through SONA, she is able to study “interpersonal processes and psychotherapy,” through labs where she and her lab partners interpret “interpersonal relationships in psychotherapy settings.” She first became interested in doing this research when she attended a psychology research fair, where she was able to meet individually with the lab directors. Here, she expressed her interest in the research and that she was looking to gain experience. Smith is also a big supporter of students from all majors participating in research projects.

“To get involved, no matter what major, talk to professors of classes you like. They are a great resource to possibly have you get involved with their own research but can also direct you to someone who is looking for undergraduate research assistants,” Smith said.

MSU is a suitable place for undergraduate students to explore many different activities, majors and interests. Research is quickly becoming a typical aspect of education at MSU because it is no longer reserved solely for students pursuing science-related majors. All students, from theatre majors to STEM majors, are encouraged to participate in research studies. Since asking critical questions is a crucial part of learning, many students turn to research projects to explore their passions and majors.

Maggie Morgan is a junior majoring in Professional Writing with a concentration in Creative Writing. Hobbies include: spending all of her money on concert tickets, trying to convince Green Day to let her be their friend, geeking out about music history, dreaming of writing for Rolling Stone. You can follow her on instagram at @swaggie_.maggie.

The Top Five Albums of 2017 — BLOGGing January 2018

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This year has been a wild one, to say the least, but if there’s one thing I know, it’s been a great year for music! As a passionate music lover, I thought it would be a great idea to round up the top five albums of the year, within five different genres. Read ahead to learn a little bit about each album, and hit play on our Spotify playlist to listen along while you read!

 

Rock: Japandroids – Near to the Wild Heart of Life

One of rock’s best-kept secrets is a two-piece band called Japandroids. Hailing from Vancouver, British Columbia they have been low-key setting the rock scene on fire with angsty tracks since 2006. They follow similar music-writing styles as Modern Baseball and Arcade Fire by creating songs that actually tell stories. NPR describes Japandroids as “one part classic rock, one part punk” and that is a 100 percent accurate way to describe their 2017 album, Near to the Wild Heart of Life. Complete with angry anthems you can scream along to as well as emotionally charged love songs, this album deserves a spot in our top five. The lyrics to every single song are beautifully deliberate, and the instrumentals accompany them perfectly to create an entirely stunning rock album.

 

Hip-Hop: Tyler, The Creator – Flower Boy

I’ll preface this description by explaining that Flower Boy is extremely explicit, with 13 out of the 14 tracks marked as uncensored. However, that’s just part of what makes this album so beautiful. Tyler, The Creator created a brutally honest narrative that details multiple moments of his life, giving listeners a personal experience. The album covers all the bases with smooth yet gritty ballads and tracks that make crowds go absolutely wild when he performs them live. It is undeniable that Tyler, The Creator has unmatched talent, but this truly outstanding conceptual album tops all other hip-hop records that were released this year.

 

Country: Little Big Town – The Breaker

I do not like country music. At all. But Little Big Town began to change my mind with their newest album, The Breaker. The songs on the album are beautifully written and are completely different from the “typical” country song that turns so many people off from the genre. Little Big Town hits hard with their metaphorical lyrics and soothing instrumentals by combining uplifting summer anthems with smooth love songs and nostalgic tunes. The Breaker is definitely a surprise, but a welcomed one! It gives me hope that people who normally dislike country music can dig this mature sound, making it obvious that it needs to be in our top five.

 

Pop: Lana Del Rey – Lust For Life

When an album isn’t received well by fans or critics, there is a lot of pressure for an artist to come back and create something better on their next try. When Lana Del Rey’s Honeymoon was released in 2015, it did not receive much love. Fans of Lana Del Rey had high expectations for Lust For Life when the singer announced its release back in February. We all waited with anticipation for the fateful day in July when we were blessed with possibly the most beautiful album in Lana Del Rey’s entire catalog. The retro sound and positive vibes that this album gives off are quintessential Lana, and it’s honestly perfect. She has gone above and beyond in creating such a specific image for herself and her music, which makes her deserving of a space in our top five.

 

Indie/Alternative: The XX – I See You

Before this year, when I thought of The XX I thought of deep, emotional tracks that were reserved only for times when you needed to lie in bed and sob while trying to feel something again. Their newest album, I See You, keeps the deep themes that can be found in their previous songs, but the music is much more upbeat. The XX plays into electronic music by creating tracks that sound like dance music, but have emotional lyrics. The dynamic between co-lead singers Romy Madley Croft and Oliver Sim is truly beautiful and makes for songs that are somehow both upbeat and passionate. The blank blank is this and that.

Maggie Morgan is a junior majoring in Professional Writing with a concentration in Creative Writing. Hobbies include: spending all of her money on concert tickets, trying to convince Green Day to let her be their friend, geeking out about music history, dreaming of writing for Rolling Stone. You can follow her on instagram at @swaggie_.maggie.

5 of The Best Christmas Songs You’ve Probably Never Heard — BLOGGing December 2017

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Christmas music is quite possibly the most underrated genre out there. It’s only socially acceptable to listen to it for maybe two months out of the entire year, so you better make it count while you can! Many people gravitate towards the classics when they’re in the mood for some Christmas Spirit, but there are some unknown jams out there that will warm your frozen heart. Since many people tend to listen to the same songs every year, this list will help you shakeup your holiday playlist. Read on to hear 5 underrated and unknown Christmas songs!

Ho Ho Hopefully – The Maine

https://www.youtube.com/watch?v=rAIlv0PMTY8

Way back in 2008, The Maine released a Christmas miracle. The first track off of the “…And a Happy New Year” EP is the emo christmas song that everyone needs in their life. The story of the song follows a couple who is in danger of falling out of love because they never see each other. They’re hoping the holiday season is just what they need to bring them back together, exactly where they belong: under the Christmas tree.

Santa Tell Me – Ariana Grande

https://www.youtube.com/watch?v=nlR0MkrRklg

Ariana Grande uses her adorable personality and unmatched vocal ability to transport listeners to a love-filled winter wonderland. This 2014 jam goes unnoticed on the radio, but it 100% needs more airtime. It’s upbeat and impossible not to dance to. Its accompanying music video is also looks homemade, like it’s something she and her friends did for fun, so it gets an A+ in my book!

Merry Christmas, Kiss My Ass – All Time Low

https://www.youtube.com/watch?v=VZMd55_MK_Y

Departing completely from the sugary-pop feeling that the last song evokes, Merry Christmas, Kiss My Ass is the perfect holiday breakup song. Imagine: your honey has left you heartbroken before the holiday season. What are you going to do about it? Are you going to waste your time crying over a crappy ex? Heck no! You’re going to scream-sing this song in your car, and stick it to them.

Hoping For Snow – The Vamps

https://www.youtube.com/watch?v=cWhCMolsEMY

It’s obvious that The Vamps found inspiration from George Michael’s super-popular Last Christmas for the lyrics of their holiday song, and it’s an adorable take on the romantic vibes that surround the holidays. Boy bands and Christmas songs go together like peanut butter and jelly. Their romantic take on reminiscing fondly on past love is the perfect soundtrack for sipping cocoa and watching the snow fall.

All I Want For Christmas is You – My Chemical Romance (cover)

https://www.youtube.com/watch?v=u8rjrPIGZ5U

Not many artists have the ability to actually succeed in covering Mariah Carey. This task becomes 1000 times more difficult when the song happens to be All I Want For Christmas is You. My Chemical Romance (please get back together!!) covered the hit in 2009 and did not disappoint. The band performs it in typical MCR fashion by isolating Gerard Way’s haunting vocals in the first verse and speeding it up at the chorus, keeping the edginess present throughout the rest of the song.

 

Maggie Morgan is a junior majoring in Professional Writing with a concentration in Creative Writing. Hobbies include: spending all of her money on concert tickets, trying to convince Green Day to let her be their friend, geeking out about music history, dreaming of writing for Rolling Stone. You can follow her on instagram at @swaggie_.maggie.

What the Heck is Taylor Swift Doing — BLOGGing October 2017 (co written with Hannah Bullion)

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It might not be the worst thing if you haven’t heard Taylor Swift’s latest singles, “Look What You Made Me Do” (LWYMMD) and “…Ready For It?,” but it is something worth talking about, especially considering Swift’s absence for the greater part of the past two years to write them.

Two ing Magazine writers sound off on what they REALLY think about “LWYMMD” and “…Ready For It?”

First up: long-time fan Maggie Morgan on how she learned to appreciate Taylor Swift’s newest singles

When I first heard “LWYMMD,” I was appalled. As a long (and I mean long) time fan of TSwift, I’d come to learn that Taylor has exceptional songwriting capabilities. This song was not what I was expecting or used to. I was used to sappy love ballads, break-up songs that I could cry to and power anthems that just make you feel good. Upon hearing LWYMMD, my initial reaction was that it was cringeworthy. The lyrics reminded me of when you’re breaking up with someone, and you’re throwing every single insult that you can think of out there. Then I listened to the song again. And again. And again.

Now I’m obsessed with it.

I’m a big fan of perfectly calculated responses, and this song, along with its music video, is just that. In my opinion, the song is TSwift’s response to the pressure that the media places on her, not only as an artist, but as a human being. I think that the “you” in “LWYMMD” is the media, not Katy Perry, Kanye West, Calvin Harris or any other celebrity who can somehow be linked to her name. Taylor has been pretty much MIA for the past year, avoiding paparazzi, skipping awards shows and planning her return. I’m almost positive that she has used the majority of this past year to write new music, create a new image and rebrand.

While her new single and its accompanying music video initially come across as petty and shady toward other artists, they’re actually deliberate digs at the media. The symbolism of the “death of Taylor Swift’s reputation” is not the actual death of her image or her message. It’s the death of the way the media perceives her, and the death of the way the media expects her to act.

As for “…Ready For It?” I was in love from the first time I heard it. The verses are almost rapped by Swift, and the chorus is reminiscent of “Wildest Dreams.” It’s definitely not the direction I thought she’d be going after “LWYMMD,” but I’m welcoming the change! I think if Swift follows this trend of making music she wouldn’t typically make (anyone else hoping for a death metal song?), fans will be pleasantly surprised! Overall, I’m excited to see what’s next in the Reputation era of TSwift, and I’ll always be a fan!

And finally, Hannah Bullion on why Taylor Swift needs to CHILL OUT

Honestly, I love Taylor Swift. I’m critical of her and the platform she (constantly) refuses to use, but mostly I love her music. Red is still the soundtrack of my favorite season, fall, and 1989 made me fall in love with my life again. But this new “era” of Taylor is unfathomable.

Everything about her new single was absolutely awful, except for the “I’m sorry, but the old Taylor can’t come to the phone right now. Why? Oh, ’cause she’s dead” line. It’s funny. It’s not smart, but it’s funny and I really like it.

Personally, with Taylor taking so many years to work on this album, I really just wanted things to be executed in a smarter way. She has truly become a joke and I think there are smarter ways to dig at the media, at Kanye, at Katy Perry, etc.

Though there may be a light at the end of the tunnel. Taylor Swift IS a performer, and this new era is certainly a performance. Her newest single, “… Ready For It,” was more of what I was hoping for. The rapping might be atrocious, but the the chorus is why we all love her. I’m hoping her album follows suit to be more “… Ready For It” and less “LWYMMD.”

Hannah Bullion is a senior professional writing major with New York City dreams. She is also the Editor In Chief of MSU’s fashion publication, VIM Magazine, and an intern for the College of Arts & Letters. Keep up with her on Instagram (@hannahbullion).  

Maggie Morgan is a junior majoring in professional writing with a concentration in creative writing. Hobbies include: spending all of her money on concert tickets, trying to convince Green Day to let her be their friend, geeking out about music history, dreaming of writing for Rolling Stone. You can follow her on instagram at @swaggie_.maggie.

Album Excitement 2018

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We are less than a month into the new year and we already have new music to be excited about! 2017 was a great year for music, but I’m betting 2018 can top it. As of now, there are already a few albums that have piqued my interest and I can’t wait to hear them in full when they are released! Here are a few albums I’m most excited to listen to in 2018.

  • IMG_6684Dashboard Confessional – Crooked Shadows February 9

    • I’ve been a casual fan of Dashboard Confessional for years, but once I saw them live this past summer I became obsessed! As soon asI got home I decided to listen to their entire discography and began wishing for new music. They have released two singles from the album, “We Fight” and “Heart Beat Here” and fans are more than ready for the album todrop tomorrow!

  • MGMT – Little Dark Age – February 9

    • Again, as a casual fan, I learned about MGMT’s new album in one of my classes this semester. I was a huge fan of their song “Kids” and when I heard about their upcoming album I got excited! Catch MGMT performing at a slew of festivals this summer.

  • Moose Blood – I Don’t Think I Can do This Anymore – March 9

    • I love Moose Blood and listen to them anytime I feel like I need a good cry. Their emotional expertise comes through in their lyrics, and their instrumental ability is amazing. I can’t wait for this album to come out!!

  • Jack White – Boarding House Ranch – March 23

    • Jack White is a Michigan Native, so I’ve been listening to his music since I was a kid. He recently announced his upcoming album and accompanying tour, which always brings excitement to residents of our state. I always feel a sort of pride for all Michigan Made musicians. There is some conversation surrounding his tour, seeing as he’s pushing for fans to check their phones at the door and go technology free.

  • The Vaccines – Combat Sports – March 30

    • The Vaccines have made their way into every single one of my playlists since I was a senior in high school, so I was obviously excited when they announced new music. So excited that I actually chose to study the release of Combat Sports for my music production course!

  • The 1975 – Music for Cars – 2018img_3403

    • While we don’t have a confirmed date for the album, The 1975 have been teasing Music for Cars on their social media accounts for the past year. The third, and final installment of The 1975 era is sure to be their greatest yet! While I’m definitely sad that this final album marks the end of one of my favorite bands of all time, I’m happy that I’ll at least have one more record to play on repeat.

  • Kanye West – Turbo Grafx16 – TBA

    • Okay, so nobody actually knows when Kanye’s newest album will drop, and it may not even come out in 2018, but I’m still excited about it!

So there are the albums I’m most excited for this year! Are there any that I should check out before these drop? Let me know in the comments!

-Swaggie Maggie

Bucket List Concerts: The Killers

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I’m not the first or only person to say this, but I’ve been a fan of The Killers since I heard Mr. Brightside for the first time years ago. It was one of those songs that was just so addictive, you had to look up the artist and listen to everything they’ve put out. Over the years, Miss Atomic Bomb, Dustland Fairytale, and Sam’s Town became my anthems and The Killers claimed a spot on my bucket list concerts.

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In August when the band announced their tour dates for their newest album, Wonderful Wonderful, I was beyond excited. The Detroit date was finally one I could make, and I had enough money set aside from my summer job to buy a general admission ticket.After months of anticipation, the day of the concert finally arrived!

I’ve said this a few times before about different shows I’ve been to but seeing The Killers was sort of an out of body experience. I can compare it to the line in The Great Gatsby when Nick Carraway says “I was within, and without”. I could feel myself dancing and singing and experiencing the show, but I also felt like I was watching myself and the rest of the crowd enjoying every moment. The power of music never fails to astound me.

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The Killers are also insanely talented. They sounded even better live than they do on their albums, which often times does not happen. They are also energetic and considerate of their fans. Lead singer Brandon Flowers stopped to acknowledge that he understood that people were there for different reasons, but we were all experiencing the same thing at the same time. It was pretty cool if you ask me.

If you get a chance to see them live this summer during festival season, you’re in for a treat! I know this isn’t the last time I’ll see the band on tour.

-Swaggie Maggie